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Super Bowl - - and as perilous as climbing Mount Everest with both eyes closed. Jim Sturgess, fresh off his starring role as Jude in Across the Universe (as well as a supporting turn in The Other Boleyn Girl), plays Ben Campbell, a brilliant MIT student who needs some serious dough in order to be able to afford a stint at Harvard.
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His intelligence catches the eye of Micky Rosa (Kevin Spacey), a shrewd professor whose extracurricular activity is training a hand- picked group of students in the art of counting cards at the blackjack table. He welcomes Ben to a gang that already includes two guys (Aaron Yoo and Jacob Pitts) and two girls (Kate Bosworth and Liza Lapira), and together they set off on weekly excursions to Las Vegas to clean up. Yet although they believe they’re operating under the wire, their winning ways - - not to mention squabbles from within - - catch the eye of Cole Williams (Laurence Fishburne), an old- school casino enforcer whose preferred MO is taking cheaters to a back room and beating them to a bloody pulp. The movie works best during its first act, when the fascinating con game is explained to Ben (and to us), and during its second act, when Ben feels his life spiraling out of control as he makes a series of mistakes that could cost him everything. Scripters Peter Steinfeld and Allan Loeb only really lose control during the third act, when an important plot point too lumpy to swallow leads to a series of increasingly unbelievable developments. Yet even during this convoluted section, director Robert Luketic and a perfectly cast Spacey insure that this stylish film maintains a winning hand.
Drillbit Taylor. As the trio of dweebs who find themselves the perpetual targets of high school bullies, lanky Nate Hartley, rotund Troy Gentile and spastic David Dorfman turn in natural, likable performances that go a long way toward making this dopey comedy even remotely watchable. Watch Online Watch Last Train From Gun Hill Full Movie Online Film here. Even so, the three are basically carbon copies of Superbad's lanky Michael Cera, rotund Jonah Hill and spastic Christopher Mintz- Plasse - - hardly a surprise, given that both films were produced by Judd Apatow and co- written by Seth Rogen. Both movies largely deal with three nerds trying to appear cool to their fellow students; the added attraction here is the character of Drillbit Taylor (Owen Wilson), a homeless man who passes himself off as a bodyguard in order to earn some money protecting the undersized freshmen from the vicious seniors (Alex Frost and Josh Peck) who terrorize them at every turn. An assembly- line comedy in virtually every facet - - you can set your watch by the moment when the formerly aloof Drillbit is visibly moved by a charitable act on the part of one of the kids - - this dispiriting attempt at corralling laughs has little to offer anyone except die- hard Owen Wilson fans, and even those devotees might feel dejected after watching this charming if one- note actor spinning his wheels in such a tiresome character type.
Run, Fat Boy, Run. Run, Fat Boy, Run stars one of the two male leads (Simon Pegg) from Shaun of the Dead and Hot Fuzz, and, no, it isn't the fat one. Instead, it's the average- sized one, immediately nullifying this movie's title. Now if only someone had nullified this picture's very existence, we'd have one less bomb taking up valuable multiplex space. Instead, we're stuck with a wretched comedy whose greatest claim to, uh, fame is that it marks the directorial debut of Friends co- star David Schwimmer. But with friends like Schwimmer, who needs enemies?
Along with writers Michael Ian Black and Pegg, Schwimmer has served up a broad, crass and spectacularly unfunny piece about a sad sack who abandoned his pregnant fiancee at the altar on their wedding day. Five years later, Dennis (Pegg) continues to regret the cowardice he displayed on that day, but the only reason Libby (Thandie Newton) hasn't shut him out of her life completely is because she believes their child Jake (Matthew Fenton) should have a relationship with his father. Dennis hopes to somehow win back Libby, but time is running out since she's becoming more heavily involved with a successful businessman named Whit (Hank Azaria). The lazy and physically unfit Dennis is no match for the industrious and health- conscious Whit, but that doesn't prevent him from entering a 2. Libby's love and respect.
It's a thin premise undermined by rampant stupidity at every turn, from the lazy decision to turn Whit into a paper villain (so audiences won't have to strain their brains deciding who's better for Libby) to the infantile brand of comedy that appears at alarming intervals right up to the very end (literally; the final shot in the movie is a close- up of a flabby bare bottom). Dr. Seuss' Horton Hears a Who! In Horton's world, "a person's a person, no matter how small," but in our world, a mediocre movie's a mediocre movie, no matter how overhyped, overblown and overbearing. Certainly, there are some who will give this animated film a free ride by virtue of the fact that it's roughly 1. Dr. Seuss' The Cat In the Hat. Watch Fight For Your Right Revisited Online Facebook.
That's absolutely true, but it's also true that a month- old loaf of bread isn't nearly as disgusting as a year- old loaf of bread, and I wouldn't care to indulge in either. There's a reason that the 1. TV version of How the Grinch Stole Christmas! Seuss on film, and that's because its 2.
But when stretched out to 9. That's definitely the case here, since the basic story - - Horton the happy- go- lucky elephant finds himself ridiculed by the other jungle denizens when he insists that a speck on a flower contains an entire civilization (the residents of Whoville) - - retains its humanist (better make that anthropomorphic) appeal. But the additions to the original content are misguided, beginning with a decidedly non- Seussian reference to "poop" and ending with an atrocious Pokemon- inspired sequence that must be seen to be disbelieved. While the animation captures the intricate details found on the storybook pages, the sense of whimsy is missing, replaced by a heavy- handed touch all the more noticeable by the marquee- value- only casting of Jim Carrey (as Horton), Steve Carell, Seth Rogen and others. The Bank Job. The Bank Job bills itself as being based on a true story, but given cinema's propensity for fudging details every which way, that's not a declaration that I'd be willing to take to the bank myself. But veracity be damned: Even if every detail of this heist flick was drenched in fiction, it doesn't change the fact that it's one compelling package.
The film is set in 1. Watch The Evil Dead Hindi Full Movie. British heavyhitters of that era (Michael Caine, Ian Bannen, Harry Andrews, etc.) appearing in a film just like this one (Caine, in fact, did headline a heist flick during this period, 1. The Italian Job).
And inhabiting the film's central role is Jason Statham, who thanks to a series of action films has become the current poster boy for British roughhousing. The Bank Job gives his character, Terry Leather, a chance to use his brains more than his brawn, and this allows Statham a bit more vulnerability than usual - - his character even has a wife and two daughters, a break from the image of the emotionless lone warrior. Terry is approached by a former acquaintance (Saffron Burrows) to pull off a robbery at a Lloyds Bank that will benefit them both.